Having learned about de Laurentis' passion about Chinese calligraphy, his Chinese friends suggested that he should go to Hangzhou, a city of calligraphy and home of the China Academy of Art to further study the time-honored calligraphy in an authentic atmosphere.
In 2000, de Laurentis became an international student at the academy, where he says he learned the "essentials of using a brush pen to write" during a one-year calligraphy course.
However, the course at the academy didn't give the Italian enough knowledge about the sources of Chinese calligraphy. "I was interested in the academic study of Chinese calligraphy, but the course I took was in another direction," he says.
De Laurentis became a doctoral candidate back in Italy in 2003 with the aim of going further into researching Chinese calligraphy.
"Besides a Sinologist who studies Chinese calligraphy, I wanted to be an excellent calligrapher," he says. "Only in China can an international student become a really good calligrapher."
He went to Hangzhou again in 2004 and took a graduate course at Zhejiang University. "It was at Zhejiang University that I got really immersed in academic studies and learned to view academic issues from historical and cultural perspectives," the Sinologist says.
During the time at Zhejiang University, de Laurentis decided to delve into Treatise on Calligraphy by Sun Guoting, a Chinese calligrapher of the early Tang Dynasty (618-907), for his doctoral dissertation.
"I was profoundly impressed by the grandeur and elegance of the long scroll replica, which is 9.06 meters long," he says.
With the help of abundant resources at the university and his Chinese classmates, the research went well and later became the core of de Laurentis' doctoral dissertation.
He didn't finish his graduate course at Zhejiang University. Instead, he went back to Italy for the doctoral study in 2005 and now he is a lecturer at an Italian university and still keeps contact with his Chinese peers.
He explained that as a Sinologist from the West, he should have an international perspective. "Staying in China for too much time might not be the best choice," says de Laurentis.
He has attended many academic activities in China in the past 15 years since he decided to go back to his motherland, including giving public lectures at Chinese universities and taking part in researches as a visiting scholar.
"I cherish the experience of communicating with the public, which proves that rather than a highbrow art, calligraphy can be enjoyed by all people."
In 2018, de Laurentis wrote a dozen articles based on his 20-year learning experience in China. One year later, he was invited to write and compile a book about the renowned Chinese calligrapher Wang Xizhi, which is expected to be published later this year.
