Stitching up history

Working as a conservator needs versatile expertise. Other than good hands, they need keen eyes which are particularly sensitive to colors to pick up the right thread. That reminds Qu of her days in the doorway of the fashion industry.

"I left fashion long ago," Qu says. "Taste changes so fast in that industry, and if I design something today, maybe no one will buy it. But if we have time, we'll make some lovely bags, like those to hold our tools. That pleases ourselves."

Facing fancy ancient textiles, the conservators say they also sometimes try to imagine the royal stories behind them. During the recent restoration of a noble woman's pouch, Qu could not help wondering what was put in it. However, they usually do not have time for such romantic reminiscence.

"Your mind has to be fully focused during work," Wang says. "And you have to learn everything about the textiles. Sometimes you feel tired, but it feels fruitful to bring a second 'life' to them."

Having worked in the studio for 15 years, Wang recalls the earliest days there.

"I was only the second conservator in the studio, and we almost had nothing," she says. "We've been gradually better equipped. We have more team members and a new room. It's like making a home better and better."

When asked if she had any wish for the International Women's Day on Tuesday. Wang jokes, "Maybe we'd like to see a man in our team. At least, when moving a heavy blanket, he can help us."