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          Crafting Hangzhou's 'future tradition'

          By QI XIAO in Hangzhou | China Daily | Updated: 2023-10-09 09:15
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          A visitor checks out some of the crafts on display at the workshop of Serbian artist Jovana Zhang in Qingshan village, Zhejiang province. CHINA DAILY

          Serbian artist's unique creations bringing China's rich cultural heritage to a modern audience

          Nestled amid lush mountains and a lucid reservoir, Qingshan village in Yuhang district lies some 40 kilometers to the northwest of Hangzhou city's downtown area, with its roadsides and fields sprinkled with unique art installations.

          Jovana Zhang (nee Bogdanovic), an artist and designer from Serbia, never expected to be living in this part of the world.

          "But here I am, living in the village for over seven years," she said, with more years beckoning.

          The "continuous re-creation" of intangible cultural heritage — integrating traditional Chinese crafts with modern art and design — in local areas and across China is what Jovana, her husband Zhang Lei and their German business partner Christopher John are dedicated to.

          "We first met in Milan, Italy, in 2009," Jovana recalled of how the trio came to know each other. "In 2010, Chris and I joined Zhang Lei and came to China."

          At the time, Zhang Lei had already started making modern designs using traditional Chinese crafts.

          "When the ideas of modern design meet traditional crafts," Zhang Lei explained, "the resulting benefits can be infinite."

          Rich in intangible cultural heritage, Zhejiang has about 300 items at the national level and nearly 1,000 items at the provincial level, 11 of which also appear on UNESCO's list of Intangible Cultural Heritage.

          It was also in 2010 that the trio met Liu Youquan, an inheritor of the oil-paper umbrella craft, an intangible cultural heritage item in Yuhang district.

          In Liu's workshop, they studied for months and tried their hands at all the 72 steps involved in making a traditional oil-paper umbrella.

          CHINA DAILY

          They were particularly fascinated by one step known as "wet paste", in which whole pieces of paper are soaked with glue and then pasted layer by layer onto the umbrella ribs.

          Borrowing the technique, the trio applied it to a series of other items, creating such daily articles as lampshades. They also boldly proposed to use it to make paper chairs without any pre-existing frame.

          In 2012, a paper chair they made, which they named piao (literally meaning "floating"), was exhibited at Milan Design Week in Italy.

          Thanks to its sturdy and innovative design, the chair won the Design Report Award at the SaloneSatellite exhibition during the design week.

          Indeed, China's rich knowledge of traditional handicrafts has proved to be a constant fountain of inspiration for artists like Jovana.

          Using the "ice crack" pattern of traditional Chinese window screens, as well as a sunmao (mortise and tenon joints) structure, they built a shelf with modular parts, which can be added to in an endless fashion.

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