The original version tells the story in 55 acts, spanning eight hours in total. To appeal to the contemporary audience, Pai narrowed it down to 27 acts.
Pai talked about the personal stories he encountered from audience members over the years, especially the exciting moments when the production toured four universities in the US in 2006. "We toured the US for a month. I was worried about the response of the audiences, whether they would be able to enjoy the old Chinese art form. To my surprise, our tickets sold out and our performances received long standing ovations," Pai say.
"For many, both the Chinese and Western audiences, the play was a gateway to discovering the complexities and beauty of Kunqu Opera, while for others, especially our creative team members and our then young performers, it was a profound reminder of the timeless nature of the story and the everlasting appeal of Kunqu Opera."
According to Weng Guosheng, one of the directors of the youth edition of The Peony Pavilion, Pai's adaptation took bold steps to modernize the presentation of the play, incorporating innovative staging techniques, contemporary music elements, and a focus on themes that speak directly to today's youth. "Pai's approach was both respectful and revolutionary, maintaining the soul of the original, while introducing new dimensions to enhance its appeal to younger generations," Weng says.
