Tradition finds a young voice

The space serves as a dynamic bridge between Tianjin and Xinjiang local cultures, Yang adds.

One of the most engaging installations is an interactive clapper talk (kuaiban) station, where this signature Tianjin folk art performance comes alive through technology.

"When visitors attempt the traditional clapper rhythm, the installation responds with synchronized digital animations of galloping horses. It's a crowd favorite, and 80 to 90 percent of visitors take part," Yang notes.

The space will regularly host student groups from Tianjin, Beijing and Anhui, as well as local Xinjiang schools, creating ongoing opportunities for exchange of local cultures, he says. In addition to the three permanent exhibitions, immersive ICH experiences from across the country, ranging from artworks, TCM massage, and pulse diagnosis to handicraft workshops and live demonstrations, attracted large crowds during the showcase, which concluded on Tuesday.

The event also marked the launch of the third-quarter activities of a national four seasons ICH shopping festival. The summer session combines offline exhibitions with online livestreaming to promote seasonal ICH-inspired products, travel routes and cultural experiences, further boosting cultural and tourism consumption.

Elham admits that mastering the precise pronunciation and controlled vocal techniques remains the most challenging part of his training. But the challenge hasn't weakened his determination. Looking ahead, he hopes to pursue professional training. He has already set his sights on applying to drama schools in Beijing, where Peking Opera traditions are especially strong.

"If I am admitted to a drama academy, I want to make opera my career. If not, it will still be my lifelong passion," he says with a timid smile.