Born of leaf, clay and ritual
Artisans balance heat, water and skill to revive age-old tea traditions and re-create Song-era ceramic masterpieces, Yang Feiyue and Hu Meidong report in Nanping, Fujian.
Magic in a bowl
After bidding farewell to Huang, I take a bamboo-raft ride on the Jiuqu (Nine-bend) River that gurgles through a valley beneath Mount Wuyi.
The clear, emerald water reflects a living landscape painting, a poetic embodiment of the region's scenery.
At night, I make my way to an unassuming residential building, where Zhang Zhifeng performs his magic with a gentle turn of a tea bowl. A bold Chinese character fu materializes on the frothy surface, drawing gasps from many other visitors around me.
"This is how Song Dynasty (960-1279) scholars welcomed guests," explains Zhang, an inheritor of the chabaixi or tea painting tradition.
As I settle at his demonstration table, he shares how this Tang-origin art has consumed 40 years of his life.
The journey began in 1983 when he discovered ancient descriptions of tea painting as a student.
"Everyone said it was pointless," he recalls. "But my mentor insisted uncovering lost traditions was our duty."
