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          When cello meets piano

          Chance encounter leads to a deeply intuitive collaboration, Chen Nan reports.

          By CHEN NAN | CHINA DAILY | Updated: 2026-01-10 08:36
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          From Dec 28 to Jan 17, cellist Chen Weiping and pianist Yue Zheng are performing together in a series of concerts in Chinese cities, including Tianjin, Quanzhou, Chengdu, and Shanghai, featuring original musical compositions and adaptations of well-known musical works. CHINA DAILY

          This piece resonates deeply with the experiences of Chinese students studying abroad, capturing the complex emotions of those far from home. The musical language is layered and multifaceted, incorporating harmonies and structures not traditionally found in classical compositions. There is an openness to the music, a jazzlike quality in its rhythm — shifting from slow to fast, with elements of improvisation that evoke a sense of freedom. At the same time, it carries the distinct colors of Eastern music, grounding it in a rich cultural heritage.

          "Even as we walk through unfamiliar worlds, the piece reminds us that our roots are never lost. The feelings of longing for home, the adventurous spirit, and the courage to face challenges are woven into the very fabric of the music," says Yue.

          According to Chen, the cello, with its deep, resonant tones, speaks like the soliloquy of a traveler, restrained yet powerful — never showy, but always filled with meaning. Meanwhile, the piano echoes like the distant sound of home, with its gentle resonance representing both reality and memory, pulling at each other with a tension that grows stronger as the piece unfolds.

          The collaboration between Chen and Yue pushed them to redefine the roles of their instruments, transforming the piano-cello dynamic into something far more intricate.

          "The cello and piano can easily overshadow one another, but we made sure to complement each other. The cello would lift the piano, and the piano would provide a gentle backdrop for the cello. It was about creating a dialogue, one between two instruments that are so different in nature," says Chen.

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