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          Better cinema experience coming to Chinese homes

          By Wang Kaihao ( China Daily ) Updated: 2014-09-11 07:56:12

          Better cinema experience coming to Chinese homes
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          Better cinema experience coming to Chinese homes
          Posters of director John Woo's new film 'The Crossing'
          When the China Giant Screens (called Dmax at first) came into existence in 2012, the industry response was lukewarm, with the newcomer being labeled as a knockoff of the Imax. But things are likely to change with a strong support from the overseas market.

          "China now has great cinema facilities, like the best audio equipment," says Louis Cacciuttolo, THX's executive vice-president of international business and global branding, in his fluent Mandarin. "However, the country doesn't have the criteria to use the high-quality equipment it has. What we do is to create that circumstance."

          He says that although a THX-certified CGS is only a start, the company expects to win a bigger share of the Chinese market by competing with other major brands. Cacciuttolo did not reveal names but Imax is most likely the competition.

          However, today's more than 170 Imax screens across China plus their $56 million revenue in 2013 are not easy targets to meet.

          "The work will be done step by step," he says.

          Cacciuttolo did not say how many THX-certified screens will be set up in China or provide any timeline. "The more we have, the better it will be, but first of all, we need our fame to be recognized by Chinese movie fans, like what we did in the West."

          In spite of being a new entrant in the Chinese market, THX seems to be keen to move beyond audiences to the filmmaking industry.

          "Our purpose in China is to foster the passion and creativity of filmmakers and encourage them to push the boundaries of storytelling, just like Lucas did with Star Wars," he says, adding that the company would like to cooperate with Chinese post-production studios by providing them with audiovisual certification.

          Chinese directors deserve what Hollywood has-well-trained technicians, who can fully translate a director's vision on screen for the audiences. The development of these "engineer-artists" as Cacciuttolo calls them will be crucial to Chinese cinema.

          And, if things go the right way, Chinese studios of the future will be able to produce foreign films as well. "Maybe, even Hollywood movies will be finally made here," Cacciuttolo says.

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