<tt id="6hsgl"><pre id="6hsgl"><pre id="6hsgl"></pre></pre></tt>
          <nav id="6hsgl"><th id="6hsgl"></th></nav>
          国产免费网站看v片元遮挡,一亚洲一区二区中文字幕,波多野结衣一区二区免费视频,天天色综网,久久综合给合久久狠狠狠,男人的天堂av一二三区,午夜福利看片在线观看,亚洲中文字幕在线无码一区二区

          What makes a good movie

          Updated: 2015-06-04 07:57

          By Agnes Lu in Hong Kong(HK Edition)

            Print Mail Large Medium  Small

          What makes a good movie

          Three-time Oscar-winning director Oliver Stone tells of his defining moments in film production

          What makes a good movie that can tempt and hold the audience? The answer came from none other than three-time Oscar-winning Hollywood director Oliver Stone.

          Sharing his thoughts with the audience at the World Business Forum in Hong Kong on Wednesday, the US film director said:"Movies are changing all the time. But, I still believe in my heart that if you tell a good story, you'll find the audience. It may not be seen in the best conditions, but it will be seen."

          Stone is also a screenwriter, producer and military veteran who had directed many films that have received mixed reviews from critics, including the renowned Platoon that has won him four prizes in the 1987 Academy Awards.

          His upcoming film this year, based on the biography of US whistleblower Edward Snowden, who unveiled details of a massive surveillance project orchestrated by the US government, has stirred controversy around the world.

          But Stone said he will not be the one to judge.

          "Many people don't know the story and that's why it needs to be told. My character in the movie is telling the story from the inside out. When the movie is finished, and when people have reacted on it, that will eventually come to my opinions," he said.

          The legendary filmmaker did not win fame overnight. After military service in the Vietnam War and studies at the film school of New York University, he was rejected for years in the film industry before his international appearance in Midnight Express.

          Recalling his rebellion and frustration at that time as a young man longing to enter the film industry, Stone considers it natural for youths to have such feelings as long as they stick to what they believe in.

          However, it was Platoon that led him to a busy directing career. The semi-autobiography film was the first film of Stone's trilogy of the Vietnam War, based on his combat experience during that period.

          "The movies we've been making are always talking about how America saved the world, but the Vietnam War is definitely a losing cause. So I went out there and I made the movie. It may be misunderstood, it may be attacked, but I feel I can sleep at night with my good conscience," he recalled.

          The original intention for directing The Wall Street (1987) and its sequel The Wall Street: Money Never Sleeps (2010) was out of similar concern for and observation of US society.

          "There has always been in America a fight between the capitalists who want free reign and the organizers who demand a more regulated economy," he said.

          Filmmaking has its own frustrations as well.

          For Stone, the most disappointing part may be the transitory nature of making a film, where the whole crew dismisses after the entire process and the director will be seeing different people each time he initiates a new project.

          But Stone said he is proud of himself surviving and having accumulated a body of work. For him, succeeding in one film is already against the odds, but to keep that momentum and have his own portfolio is a growing process.

          "I'm not the same person I was when I made Platoon. I'm seeing the world with broader eyes than ever, and my knowledge is deeper," he pondered.

          But when questions were raised from the audience on whether the Chinese mainland will surpass the US as the largest box office globally, Stone believes that the situation will not happen for now, and mainland filmmakers should stick to their own inspirations instead of catering to Hollywood tastes.

          "English films do have their own advantages because of the language. But Chinese culture has existed way before the American culture," he said. "And, that should always be its strong points to tell good stories."

          agnes@chinadailyhk.com

           What makes a good movie

          Oliver Stone (left), prestigious Hollywood director, shares his view on film production to the World Business Forum on Wednesday. He believes that Chinese mainland filmmakers should stick to their own inspirations instead of catering to Hollywood tastes. Photo Provided to China Daily

          (HK Edition 06/04/2015 page10)

          主站蜘蛛池模板: 亚洲一区二区成人| 日韩人妻少妇一区二区三区| 一区二区三区av天堂| 成人无码午夜在线观看| 18禁成人免费无码网站| 国产亚洲精品久久久999蜜臀| 综合伊人久久在| 日日碰狠狠添天天爽| 人妻少妇看a片偷人精品视频 | 国产成人精品亚洲日本在线观看 | 国产精品亚洲二区在线看| 国产在线国偷精品免费看| 亚洲精品国模一区二区| jαpαnesehd熟女熟妇伦| 免费看黄片一区二区三区 | 亚洲欧美日韩高清一区二区三区 | 亚洲精品你懂的在线观看| 美女黄网站人色视频免费国产| 国产毛1卡2卡3卡4卡免费观看| 亚洲男人天堂东京热加勒比 | 国产h视频在线观看| 久久国内精品自在自线91| 亚洲国产精品综合久久2007| 亚洲一级特黄大片一级特黄| 欧美熟妇乱子伦XX视频| 亚洲国产激情一区二区三区| 日本一区二区三区免费播放视频站| 久久永久免费人妻精品下载 | 一个色综合国产色综合| 久久婷婷成人综合色综合| 精品熟女日韩中文十区| 国产精品无码专区| 丰满爆乳一区二区三区| 亚洲精品中文字幕在线观| 色爱综合另类图片av| 国产亚洲av手机在线观看| 三年片在线观看免费观看高清动漫| 久久久久久久综合日本| 亚洲国产国语自产精品| 国产香蕉尹人在线视频你懂的| 色悠悠成人综合在线视频|