<tt id="6hsgl"><pre id="6hsgl"><pre id="6hsgl"></pre></pre></tt>
          <nav id="6hsgl"><th id="6hsgl"></th></nav>
          国产免费网站看v片元遮挡,一亚洲一区二区中文字幕,波多野结衣一区二区免费视频,天天色综网,久久综合给合久久狠狠狠,男人的天堂av一二三区,午夜福利看片在线观看,亚洲中文字幕在线无码一区二区

          Making films for the mind, not market

          By Liu wei (China Daily)
          Updated: 2010-11-24 09:57
          Large Medium Small

          Chen Kaige is often called kai ye by actors and fellow directors - ye, literally grandpa, is commonly used in Beijing to refer to those respected for their expertise in a certain field.

          The 58-year-old director, along with Zhang Yimou and Feng Xiaogang, are undisputedly the three most famous filmmakers in China. As a leading figure of the prestigious "fifth generation" filmmakers that includes Zhang, Chen was the earliest of these Chinese directors to achieve international recognition. His Farewell My Concubine is the only Chinese film to have won the top award at the Cannes Film Festival.

          But of the "top three", Chen has distinct characteristics.

          Unlike Zhang and Feng, Chen grew up in Beijing Studio, where his father Chen Huaikai was a well-known director.

          "Chen's distinguished family background makes him a very scholarly director," says senior critic Tan Fei. "He has a deep understanding of Chinese culture and a strong sense of mission."

          Chen likes to pick stories set in ancient China with a strong focus on the fine arts. For example, both Farewell My Concubine and Forever Enthralled tell stories about Peking Opera, while The Emperor and the Assassin is based on historical events.

          "Art is a subject that Chen explores often," Tan says. "Farewell My Concubine and Forever Enthralled are about Peking Opera, and Together is about music."

          For Chen, film is first a work of art and then a tool for making money, Tan says.

          "That is why he is valuable, but it is also his disadvantage in today's market," he says.

          Professor Zhang Yiwu of Peking University, adds that compared to Zhang and Feng, Chen is the least sensitive to the local market. "He is the most intellectual (of the three), who tends to reflect on such issues as the fate of the country and its people," he says. "Zhang Yimou used to be very sensitive to social concerns, and Feng Xiaogang has a magical hunch for local audience's interests."

          Yet at a time when China's film industry is racing ahead, Chen has to think beyond artistic values.

          "Failure is a luxury now," says Tan. "There are so many directors and films. In the past a famous director like Chen could afford a couple of box office failures without losing much ground, but today's audiences and investors have too many choices."

          Chen has been working hard to find a place between his personal preferences and the market's needs in recent years. His last two works, The Promise and Forever Enthralled, both feature a superstar cast and commercial blockbuster marketing.

          "This is his personal choice, but also part of the reality of today's Chinese cinema," Zhang says, commenting on Chen's recent works.

          主站蜘蛛池模板: 婷婷六月色| 中文无码热在线视频| 日本午夜精品一区二区三区电影| 亚洲欧美日韩久久一区二区| 7878成人国产在线观看| 精品国产欧美一区二区五十路| 麻豆成人传媒一区二区| 午夜通通国产精品福利| 开心五月激情五月俺亚洲| 亚洲无线码一区二区三区| 亚洲自偷自拍熟女另类| 精品人妻码一区二区三区| av 日韩 人妻 黑人 综合 无码 | 亚洲精品国产第一区二区| 四虎永久在线精品免费视频观看| 国产亚洲综合区成人国产| 免费人成网上在线观看网址| 成人嫩草研究院久久久精品| 一本一本久久a久久精品综合| 午夜福利视频| 国产成人不卡无码免费视频| 日本东京热高清色综合| 国内不卡不区二区三区| 久久93精品国产91久久综合| 中文字幕人妻精品在线| 免费三A级毛片视频| 亚洲精品国产精品国在线| 裸体女人高潮毛片| 日韩有码中文字幕一区二区| 午夜片无码区在线观看视频| 粉嫩av蜜臀一区二区三区| 亚洲精品日韩中文字幕| 国产精品高清视亚洲精品| 亚洲中文久久久精品无码| 中文字幕日韩区二区三区| a男人的天堂久久a毛片| 免费看欧美日韩一区二区三区| 久国产精品韩国三级视频 | 国产成人亚洲欧美二区综合| 欧美性色欧美a在线播放| 人妻中文字幕精品系列|